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Not Us

by Not Us

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1.
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about

> On 14 May 2012 10:27, Michael Edwards wrote:
> Well at first I didn't. I intended to be just a recording
> engineer on this one. But I couldn't resist reaching over
> to you in Glasgow once you'd left by overdubbing a tenor
> solo. And, well....the whole thing was then begging for a
> digital processing extension out of the close confines of
> the sauna into...whatever space you imagine it then
> becomes.
>
>> On 10 May 2012 22:18, Fritz Welch wrote:
>> solo transmutation through thorough and complete analysis
>> and psychologic transference provided by your handy dandy
>> Max patches Michael. How did you approach the duo in
>> such a disembodied context?
>>
>>> On May 8 2012 15:55, Michael Edwards wrote:
>>> You were hijacked for a pretty long time there Fritz.
>>> What else happened? You thought you were recording a
>>> percussion solo I assume....
>>>
>>>> On 7 May 2012 08.29, Fritz Welch wrote:
>>>> My hands were attached to my body but seemed to be
>>>> functioning on remote control. Perhaps this occurred
>>>> due to the fact that we were recording in a sauna
>>>> disguised as an orgone accumulator. Or perhaps the
>>>> whole thing had been hijacked by a word transmission
>>>> history migration fever?
>>>>
>>>>> On 30 March 2012 10:12, Michael Edwards wrote:
>>>>> So if we get a little excited and all Cartesian and
>>>>> identify you as Fritz's mind (your body being just a
>>>>> tool of the FritzMind), then it wasn't you playing in
>>>>> there?
>>>>>
>>>>>> On 30 March 2012 09:56, Fritz Welch wrote:
>>>>>> i lost my mind before and after the abduction.
>>>>>>
>>>>>>> On 30 March 2012 09:18, Michael Edwards wrote:
>>>>>>> So, Fritz, what happened to you in that sauna?

credits

released June 5, 2012

Fritz Welch: snare drum, saw, bell
humansacrifice.net
Michael Edwards: tenor saxophone, live electronics (Max/MSP)
www.michael-edwards.org

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reid Edinburgh, UK

The Reid Label is associated with music productions from the Reid Studio at the University of Edinburgh

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